The daughter of an anthroposophically orientated teacher, Aeppli grew up in a home that was literally isolated from the outside world. It was only at the end of the Second World War, when Aeppli was almost 20 years old, that she first became more involved with the cruelties of war. It became a subject that moved her for the rest of her life. From 1943 – 1945 she attended the School of Arts and Crafts in Basel. In the early 1950s, Aeppli met Jean Tinguely and Daniel Spoerri. Together, they travelled to Paris and Aeppli became Tinguely’s first wife until she was to give way to Niki de Saint Phalle in 1960, who was a close friend before then and even remained one afterwards.
Aeppli worked in the environment of the Nouveaux Réalistes around her husband Tinguely, Aman and Yves Klein, without herself belonging to this group. Her run-down studio in the Impasse Ronsin in Paris was close to Constantin Brâncuși’s workspace, whom she had a love-hate relationship with. Aeppli began her artistic career with charcoal drawings and knitted pictures. At the beginning of the 1960s, Aeppli produced large-format oil paintings with ominous dances of death, skeletons piled on top of each other and interwoven like in mass graves. In the 1970s, the artist intensively occupied herself with astrology. She created sewn head sculptures, which she cast in bronze in the 1990s, mainly to counteract the decay of the fabric sculptures.
Towards the end of her life, she once again lived withdrawn from the outside world – the circle to her childhood closed. She boycotted the daily news, newspapers, television and radio did not interest her. For Aeppli, all that counted was “her world”. She created a cosmos of muffled cries, silent suffering, lost hopes, and underworlds and made them visible in drawings, paintings and fabric sculptures.
Her works are presented in museums all over the world as well as in numerous private collections.
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Galerie Michael Haas
Niebuhrstraße 5
10629 Berlin
Galerie Michael Haas
Niebuhrstraße 5
10629 Berlin
Kunst Lager Haas
Lise-Meitner-Straße 7-9
10589 Berlin
Kunst Lager Haas
Lise-Meitner-Straße 7-9
10589 Berlin
Phone: +49 (0) 30 88 92 91 0
Mail: contact@galeriemichaelhaas.de
Phone: +49 (0) 30 88 92 91 0
Mail: contact@galeriemichaelhaas.de
1943-45 Basel School of Applied Arts, encounter with Jean Tinguely
1945 Birth of Felix-Vital Leu
1946 Marriage to architect Hans Leu
1949 Encounter with Daniel Spoerri
1950 Birth of Miriam-Eva Tinguely
1951 Marriage to Jean Tinguely
1952 Moves with Jean Tinguely to Montigny-sur-Loing near Fontainebleau and in the same year to Paris
1961 After separating from Tinguely, she works in various studios in Paris
1962 Marries Samuel Mercer and moves to Omaha, USA, and to La Selle-sur-le-Bied, France
From 1975 onwards, she became intensively involved with astrology in collaboration with the astro-psychoanalyst Jacques Berthon and the painter Eric Leraille
1990 Founds the Myrrahkir Foundation against oppression, poverty and ignorance
2023
Köpfe maskiert, verwandelt, Museum für Neue Kunst Freiburg, Freiburg
2022
Le Musée sentimental d‘Eva Aeppli, Centre Pompidou-Metz, Metz
2021
Ständige Sammlung, Ludwig Museum, Koblenz
2015
Eva Aeppli. Vive la vie – vive la mort, Museum Tinguely, Basel
2010
Eva Aeppli aus dem Gesamtwerk, Ausstellungshaus Spoerri, Hadersdorf am Kamp
2009
Aeppli schenkt Aeppli, Museum Tinguely, Basel
2006
Les Livres de vie, Museum Tinguely, Basel
Eva Aeppli. Acrobate entre Ciel et Terre, Städische Galerie, Ravensburg
Les Livres de vie. Eva Aeppli und ihre Künstlerfreunde, Kunstmuseum Solothurn, Solothurn
2004
Freitagsgalerie Imhof, Solothurn
1999
Eva Aeppli. Zur 50-jährigen Freundschaft Eva Aeppli – Daniel Spoerri, Fondazione Il Giardino di Daniel Spoerri, Seggiano
Eva Aeppli. Drawings, Oil Paintings, Sculptures, 1959-1994, Omaha, Garden of the Zodiac
1996
Eva Aeppli. Sculptures. Quelques faiblesses humaines. Éric Leraille. Peintures Galerie Samy Kinge, Paris
1994
Einige menschliche Schwächen, Freitagsgalerie Imhof, Solothurn
Kunstmuseum Solothurn, Solothurn
Zeichnung, Malerei, Skulptur 1953-1989, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn
1993
Moderna Museet, Stockholm
1991
Eva Aeppli & Jean Tinguely. “Collaboration”, Galerie Littmann, Basel and Galerie Beaubourg, Paris
Eva Aeppli, Bronzen. Éric Leraille, Bilder, Galerie Martin Krebs, Bern
1990
Bronzen von 1976-1987. Bilder von 1960-1965, Galerie Littmann, Basel
Eva Aeppli. Samuel Mercer, Kunst im Alten Schützenhaus, Zofingen
1989
Rétrospective. Dessins – Sculptures – Peintures, Centre culturel suisse, Paris
1986
Eva Aeppli. Sculptures. Peintures. 1960-69, Galerie des Bastions, Geneva
Eva Aeppli, Skulpturen. Éric Leraille, Bilder Pastelle, Galerie Sfeir-Semler, Kiel
1985
Eva Aeppli, Sculptures. Éric Leraille, Peintures, Galerie Samy Kinge, Paris
Bilder 1960-1964, Galerie Littmann, Basel
1980
Le Zodiaque. Les Planètes, Galerie Felix Handschin, Basel
1976
Les Planètes, ARC, musée d’Art moderne de la Ville de Paris
1975
Les Œuvres récentes d’Eva Aeppli, Galerie Iolas, Paris
1974
Helmhaus, Zurich
1973
Gimpel & Weitzenhoffer, New York
1. Biennale der Schweizer Kunst, Kunsthaus Zurich, Zurich
1972
Contemporary Swiss Art, The Tel Aviv Museum Sderot Shaul Hamelech, Tel Aviv
Hanover Gallery, London
31 Artistes Suisses Contemporains, Grand Palais, Paris
1971
Galerie Felix Handschin, Basel
Figuren und Figurengruppen, Karl-Ernst-Osthaus-Museum, Hagen
Skulpturen, Kammerkunsthalle, Bern
Galerie Renée Ziegler, Zurich
ROSC’71. The poetry of vision, Royal Dublin Society, Dublin
Biennale Bolzano
1970
Galerie Jolas, Paris and New York
1969
Skulpturen, Galerie Felix Handschin, Basel
Galerie Schmela, Düsseldorf
Figuren. Figurengruppen. Gemälde, Künstlerhaus am Königstor, Nuremberg
1968
Moderna Museet, Stockholm
1965
Galerie Felix Handschin, Basel
Galerie J, Paris
1959
Galerie Dorekens, Antwerp (in collaboration with Galerie Iris Clert, Paris)
Strip-tease, Galerie Iris Clert, Paris
1954
Galerie Maurice Hajje, Paris